Anna Haifisch
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Bio
1986 born in Leipzig, Germany
2011 Diploma Degree, Academy of Visual Arts Leipzig
2013-2015 Postgraduate Studies, Academy of Visual Arts Leipzig
2013 -2019 founding member of the comic and graphics festival The Millionaires Club
Shop
screen prints
Rotopol (misc. 21 × 27 cm)
Le Raclet (Here's the Life I've always longed for, 42 × 59,4 cm)
Thaler Originalgrafik (The Artist, 59,4 × 84,1 cm)
porcelain bowls
Königliche Porzellan-Manufaktur Berlin KPM
boxer shorts
Lousy Livin
Books
2024
Hey Kids, watch this! A24, New York City, EN
Ready America, Fantagraphics, Seattle, EN
Ready America, Rotopol, Kassel, DE
Klinika Von Spatz, Stripburger, Ljubljana, SI
2023
Beca Ratón, Apa-Apa Comics, Barcelona, ES
Fahrenbühl, Lystring Forlag, Stockholm, SV
2022
Schappi, Fantagraphics, Seattle, EN
Souris en Residence, Misma Editions, Toulouse, FR
Chez Schnabel, Spector Books, Leipzig, DE / EN
Silver Medal „best book design from all over the world“
The Artist Collection, Reprodukt, Berlin, DE
The Artist Collection, Lystring Forlag, Stockholm, SV
Mouse in Residence, Spector Books, Leipzig, DE
2021
The Artist 3 Ode an die Feder, Reprodukt, Berlin, DE
Von Spatz, Lystring Forlag, Stockholm, SV
Schappi, Misma Editions, Toulouse, FR
The Artist, XAOBAB, Prague, CZ
Residenz Fahrenbühl, Spector Books, Leipzig, DE
2020
Gnocchi Gnocchi - Who's there?, Colorama, Berlin, EN
2019
Schappi, Rotopol, Kassel, DE
The Artist, Eris Edizioni, Turin, IT
I can't find my shoes, Colorama, Berlin, EN
The Artist 1, Confederation, Moscow, RU
2018
The Mouse Glass, Perfectly Acceptable Press, Chicago, EN
Fuji-San, Kabinett, Vienna, DE
The Artist 2 The Circle of Life, Breakdownpress, London, EN
The Artist 2 Le Cycle Éternel, Misma Editions, Toulouse, FR
Von Spatz, Drawn and Quarterly, Montreal, EN
2017
The Artist 2 Der Schnabelprinz, Reprodukt, Berlin, DE
The Artist 1, Reservoir Books, Madrid, ES
Drifter, Perfectly Acceptable Press, Chicago, ES
2016
The Artist 1, Misma Editions, Toulouse, FR
The Artist 1, Breakdownpress, London, EN
LA Times Book Prize Finalist
The Artist 1, Reprodukt, Berlin, DE
2015
Clinique Von Spatz, Misma Editions, Toulouse, FR
Von Spatz, Rotopol, Kassel, DE
Don't Worry, Perfectly Acceptable Press, Chicago, EN
Publications
2024
Majestätische Vögel der Lebensmittelindustrie, 12 pages, Lagon Revue, Pluie, Paris, FR
2023
Souris au Bec, 52 pages booklet, Musée Tomi Ungerer-Centre international de L’illustration, Strasbourg, FR/ DE/ EN
2022
The Chess Review, 12 pages, Lagon Revue, Plaine, Paris, FR
2021
Das sagt mir was, 20 pages, Weserburg Museum für moderne Kunst, Bremen, DE
The Artist × Elements, 9 pages, edited by Offshore Studios and Jessica Gysel, Jan Van Eyck Academy, Maastricht, EN
S for Strudeling, 4 pages, Glossary of Undisciplined Design, edited by Anja Kaiser and Rebecca Stephany, Spector Books, Leipzig, EN
2020
Exzess und Entzug, Marcel Beyer, 7 pages, Spector Books, Leipzig, DE
The Artist × Frieze, 1 page, Frieze Magazine, London, EN
2019
The Artist × The Museum of Modern Art, 9 pages, MoMA Magazine, New York, EN
The Artist × Le Monde, Le Monde, M le Mag du Monde, Paris, FR
The Hall of the Bright Carvings, 12 pages, Kramers Ergot, Fantagraphics, Seattle, EN
2018
Fussball, Marx und Tränen, cover and 1 page, Le Monde Diplomatique, Reprodukt , Berlin, DE
2016
The Artist „on curation“, 7 pages, Texte zur Kunst, TZK 104-The Individual, Berlin, DE
The Writer, Edit 70, 4 pages, Leipzig, DE
Exhibitions
2024
Bis hierhin lief’s noch gut, MK&G Museum für Kunst und Gewerbe, Hamburg GER (solo)
Revue Lagon, Le chemin de terre, Centre Pompidou, Paris, FR
Schweinebewusstsein, Neues Kunsthaus Ahrenshoop, GER
2023
Souris au bec, Musée Tomi Ungerer/Centre international de l’illustration, Strasbourg, FR (solo)
The Artist Reading Room, Museum Folkwang, Essen, GER (solo)
Schöne neue Arbeitswelt, Galerie Alte Schule in Adlershof, Berlin, GER
Schweinebewusstsein, Sprengel Museum, Hannover, GER
2022
Chez Schnabel, Museum für bildende Künste MdbK, Leipzig GER (solo)
Hi Life, Kunstverein Erlangen, Erlangen, GER (solo)
Homi, Kunsthalle Osnabrück, Osnabrück, GER (solo)
2021
The Artist - Ode an die Feder, MOM Art Space, Hamburg, GER (solo)
Among Us, Thaler Originalgrafik, mit Gabi Jolowicz, Leipzig, GER
Tiere des Sommers, ASPN Gallery, Leipzig, GER
2020
Am Ende diese Arbeit, GfZK–Museum for Contemporary Art, Leipzig, GER
2019
Currents, Mount Analog, Seattle, USA
Pierre Feuille Ciseaux, Musee du Papier, Angouleme, FR
The Mouse Glass, Riso Club, Leipzig, GER (solo)
2018
Win/Win, Zentrum für zeitgenössische Kunst, Leipzig, GER
Fuji-San, Kabinettspassage, Museumsquartier, Vienna, AUT (solo)
The Artist, Micēlijs, Riga, LV (solo)
Bruit Qui Court, Gallery Nathalie Halgand, Vienna, AUT
Tiere, MK&G Museum für Kunst und Gewerbe, Hamburg, GER
2017
Who’s that dog I saw you with?, Bistro 21, Leipzig, GER, with Stefanie Leinhos
The Artist, Museum Gunzenhauser, Chemnitz, GER (solo)
Authentizität. Das Authentisch Unauthentische, Halle für Kunst Lüneburg, GER
Drifter, German Pavillon at TCAF (Toronto Comics and Arts Festival), Toronto, CAN
Die Halle der edlen Schnitzwerke, Galerie der Kunstsammlung Oberösterreich,
Linz, AUT, (solo)
2016
Schnäbel und Federn, Plauen, GER, (solo)
The Artist is not present, Gallery Diana Lambert, Vienna, AUT (solo)
Articles
Frankfurter Allgemeine Zeitung FAZ (Frankfurt), September 4, 2024, Und die Haifisch, die hat Haare auf den Zähnen
Der Spiegel (Hamburg), August 8, 2024, Eine Welt in Orange, Neongelb, Türkis
Süddeutsche Zeitung (München), July 7, 2024, Ein Bestiarium voller Narren
Norddeutscher Rundfunk (Hamburg), June 5, 2024, Bis hierhin lief’s noch gut
Tagesspiegel (Berlin), June 6, 2024, Werkschau der Comic-Künstlerin Anna Haifisch - Auf der Spur der scheuen Vogelwesen
Liberation (Paris), November 16, 2023, Anna Haifisch: Les Livres pour enfants, c’est la discipline reine
Frankfurter Allgemeine Zeitung FAZ (Frankfurt), November 7, 2023, Die Einsamkeit von Hopper, die Bosheit von Tomi Ungerer
Liberation (Paris), January 1, 2023, Anna Haifisch, sours à faire pleurer
Tagesspiegel (Berlin), April 1, 2022, Bei Schnabels zu Hause
The Comics Journal (Seattle), April 19, 2022, Mouse in Residence
Frankfurter Allgemeine Zeitung FAZ (Frankfurt), March 31, 2022, Gelber Gipfelsturm im Tiefgeschoss
Tagesspiegel (Berlin), December 8, 2021, The Artist: Ode an die Feder - Von den Museen geküsst
taz (Berlin), November 30, 2021, Musikdrama zum Durchblättern
Tagesspiegel (Berlin), March 24, 2021, Vom Paradies zur Mausefalle
The Comics Journal (Seattle), April 20, 2018, Von Spatz
taz (Berlin), June 26, 2017, Katastrophen sind lustiger als Erfolg
It’s Nice That (London), June 27, 2017, Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
Tagesspiegel (Berlin), June 23, 2017, The Artist: Der Schnabelprinz, Die Kunst des Überlebens
Deutschlandfunk (Berlin), April 12, 2017, Comiczeichner ist ein einsamer Job
Die Zeit (Hamburg), April 18, 2016, Dienst am Pinguin
Imprint and Datapolicy
Anna Haifisch
Kochstrasse 113
04277 Leipzig
Deutschland
DE312113984
©2024
code by Jonas Holfeld
Dies ist die Website von Anna Haifisch. Alle Bilder und Texte unterliegen dem Urheberrecht und anderen Gesetzen zum Schutz des geistigen Eigentums.
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Books
Ready America published by Rotopol (Kassel) and Fantagraphics (Seattle), German (ISBN 978-3-96451-051-8) and English (ISBN 978-1683969426) editions, 48 pages, 23 × 30 cm, softcover, September 2024
Ready America takes us on a ride through a both strangely familiar and quite alien Los Angeles. Packaging inscriptions, neon signs, and billboards fuse into an appealing typographic montage while familiar American icons peek out between stores and offices, clinics, and morgues.
Hey Kids, Watch this! published by A24 (New York)
English edition, 288 pages, 18 × 25 cm, hardcover, September 2024
Edited by James Cartwright. Written by Jon Dieringer and Caitlin Quinlan. Graphic design by Jordi NG and Elana Schlenker.
“What should we watch?” Never has a simple question sparked more family debate. That’s where this book comes in: Hey Kids, Watch This! is jam-packed with over 100 kid- and adult-approved movie night recommendations that span decades, countries, and genres. With chapters for Preschoolers, Little Kids, Big Kids, and Tweens.
Booklet for the show Souris au bec at Musée Tomi Ungerer - Centre international de L'Illustration in Strasbourg
French, German and English, 52 pages, 13 × 21 cm, booklet, Pantone purple, October 2023
graphic design by Franziska Leiste.
Fahrenbühl published by Lystring (Stockholm). Swedish edition, 144 pages, 16,2 × 10,9 cm, softcover, printed in Pantone purple, ISBN 978-9198759587, August 2023
Beca Raton published by Apa-Apa Comics (Barcelona), Spanish edition, 140 pages, 11 × 18 cm, printed in Pantone purple, softcover, ISBN 978-84-92615-41-4, April 2023
Souris en Résidence published by Misma Editions (Toulouse), French edition, 148 pages, 12,5 × 18 cm, hardcover, printed in Pantone purple, ISBN 978-2-916254-97-5, October 2022
Chez Schnabel published by Spector Books (Leipzig), German and English edition, designed by Anja Kaiser, 96 pages, 22 × 30,5 cm, hardcover, printed in 4 spot colors, ISBN 978-3959056038, March 2022
Silver Medal “best book design from all over the world”
The catalogue for the exhibition Chez Schnabel at the Museum der Bildenden Künste Leipzig is being published in conjunction with the 2021 LVZ Art Prize award. This is the first publication by artist Anna Haifisch to give an insight into her approach to making comics. The catalogue brings together sketches, references, haikus, notes, and the new short story 1992—a making-of account composed of wobbly animals, the artist entity, and autobiographical material.
Mouse in Residence published by Spector Books (Leipzig), English edition, 148 pages, 11 × 18 cm, softcover, printed in Pantone purple, ISBN 978-3959055031, November 2021
Fahrenbuehl is a secluded artist residency, inhabited by two mice. It sits in the beautiful, bucolic countryside. Such rural areas are known for their peace and tranquility. A place where one can reflect and nurture ones creativity. However, seclusion and isolation can dampen the spirits. If one wants to preserve paradise, radical means might become necessary. When a mouse decides to play God, paradise quickly transforms into a landscape of suspicion and sabotage.
“The relevance of an artistic work created in seclusion will have to succumb to the alternative visions of the polycultural.” - Cole Mountain Association of Painting and Pewter Wares
Schappi published by Fantagraphics (Seattle), English edition, 92 pages, 20 × 25,7 cm, printed in 4 spot colors, softcover, ISBN 978-1683965268, June 2022
The Artist Sammelband published by Reprodukt (Berlin), German edition, 200 pages, 16,5 × 22 cm, hardcover, ISBN 978-3-95640-309-5, March 2022
Book 1 and 2 of the famous The Artist comics plus 2 bonus short stories (including the one I drew for The Museum of Modern Art) in ONE beautiful hardcover edition! A must-have for The Artist fans!
The Artist Collection published by Eris Edizioni (Turin), Italian edtion, 148 pages, 15 × 20 cm, softcover, ISBN 978-8898644810, August 2019
The Artist Collection published by Lystring (Stockholm), Swedish edition, 200 pages, 17 × 22,7 cm, hardcover, ISBN 978-9198585872, September 2021
The Artist – Ode an die Feder published by Reprodukt (Berlin), German Edition, translated from English by Marcel Beyer, 128 pages, 21 × 27 cm, printed in 4 spot colors, linen hardcover, ISBN 978-3-95640-220-3, October 2021
The 3rd book of The Artist series is a big bird opera–telling the drama of the rise and the fall of The Artist in poems and songs. Lots has changed since the first two books; The Artist became pretty successful in the meantime, has big museum shows and owns a ton of money. He has everything he has always wanted. And yet his life is one big drama, because he is still a weepy, sensitive artist. He feels excluded from the art market, his love leaves him and he mourns his creative period in poverty.
Schappi published by Misma Editions (Toulouse), French edition, 96 pages, 22 × 28,5 cm, printed in 4 spot colors, hardcover, ISBN 978-2-916254-87-6, August 2021
Residenz Fahrenbühl published by Spector Books (Leipzig), Volte #10, German Edition, 150 pages, 11 × 18 cm, printed in Pantone purple, softcover, ISBN 978-3959054348, March 2021
Gnocchi Gnocchi - Who's there? published by Colorama Books (Berlin). A picture book by Stefanie Leinhos and Anna Haifisch. English edition, 28 Pages, 21 × 26 cm, 4 color Riso print, Screen printed cover, Fussilli binding and Linguine reading sign. May 2020 (1st edition), November 2024 (2nd edition)
“Life is a combination of magic and Pasta” - Federico Fellini
Schappi published by Rotopol (Kassel), German edition, 92 pages, 20 × 25,5 cm, 5 spot colors, softcover, japanese dust cover, ISBN 978-3964510082, September 2019
In five collected comics short stories (The Hall of the Bright Carvings, The Mouse Glass, Fuji-San, Letter to Weasel and A Proud Race), carnivores and herbivores meet at a disastrous congress of the animals; we get to know a merciless, art-collecting lizard; and are introduced to dancing ostriches and a melancholy, meditating octopus. At the end of the day, there is hope, even for crying weasels.
I can't find my Shoes published by Colorama (Berlin), English edition, 16 pages, 17 × 25 cm, 4 color Riso print, booklet, March 2019
The Mouse Glass, published by Perfectly Acceptable Press (Chicago), English Edition, 24 pages, 20 × 25,5 cm, 4 color Riso print, November 2018
Deals and deception are afoot at the 42nd Animal Summit, held in the Elephants' province. Will the Hyena convince the others to invest sustainably in his region? What of the riots in the Deep Sea? And can a crocodile fall in love with a snake? A zoological political drama for not-quite all ages.
The Artist - Der Schnabelprinz published by Reprodukt (Berlin), German edition, 112 pages, 16,5 × 22cm, softcover, ISBN 978-3-95640-123-7, October 2017
The Artist - The Circle of Life published by Breakdown Press (London), English edition, 104 pages, 16,5 × 22 cm, hardcover, ISBN 978-1-911081-07-4, March 2019
The Artist - Le Cycle Eternel published by Misma Editions (Toulouse), French edition, 112 pages, 16,5 × 22 cm, hardcover, ISBN 978-2-916254-66-1, October 2018
The Artist - Le Cycle Eternel was in the official selection of the Festival International de la Bande Dessinée in Angouleme 2019
The Artist published by Reprodukt (Berlin), German edition, 64 pages, 16,5 × 22cm, softcover, ISBN 978-3-95640-032-2, October 2016
The Artist published by Breakdown Press (London), English edition, 64 pages, 16,5 × 22 cm, hardcover, ISBN 978-1-911081-00-5, March 2016
The Artist was nominated for the LA Times Book Prize 2017
The Artist published by Misma Editions (Toulouse), French edition, 64 pages, 16,5 × 22 cm, softcover, ISBN 978-2-916254-54-8, October 2016
The Artist published by Reservoir Gráfica (Barcelona), Spanish edition, 64 pages, 17 × 22,6 cm, hardcover, ISBN 978-8416709854, September 2017
The Artist published by XAO (Prague), Czech edition, 64 pages, 16,5 × 22 cm, softcover, ISBN 978-80-906863-2-8, 2021
The Artist published by Comfederation (St Petersburg), Russian edition, 64 pages, 15 × 20 cm, softcover, ISBN 978-5-99093-682-9, 2018
Drifter published by Perfectly Acceptable Press (Chicago), English edition, 20 pages, 28 × 33 cm, 4 color Riso print, coil bound, September 2017 (1st edition), September 2022 (2nd edition)
Of love and lemurs, dogs and devotion, The New Yorker and new ardor. A poetic, illuminated treatise on affection by Anna Haifisch.
Von Spatz published by Rotopol (Kassel), German edition, 68 pages, 18 × 23 cm, softcover, ISBN 978-3-940304-97-1, October 2015
Klinika Von Spatz published by Stripburger (Ljubljana), Slovenian edition, 72 pages, 18 × 23 cm, softcover, ISBN 978-7087-35-2, September 2024
Clinique Von Spatz published by Misma editions (Toulouse), French edition, 68 pages, 18 × 23 cm, softcover, ISBN 978-2-916254-45-6, October 2015
Von Spatz published by Drawn & Quarterly (Montreal), English edition, 68 pages, 16,7 × 22 cm, softcover, October 2018
Don't Worry published by Perfectly Acceptable Press (Chicago), English edition, 24 pages, 16 × 18 cm, 4 color Riso print, April 2015
Shows
Bis hierhin lief's noch gut / So Far So Good
Museum für Kunst und Gewerbe, Hamburg
June 06 - October 20, 2024
curated by Simon Klingler
graphic design and exhibition design by Anja Kaiser
architectural visualisation by Jakob Hainich
"With around 300 works, the show provides a comprehensive look at Haifisch’s diverse oeuvre, from illustrations and prints to comics and drawings as well as products adorned with her designs. The juxtaposition of fine and applied art sheds light on the artist’s working process while recent pieces such as the Ready America series are also on view, together with a work produced expressly for the exhibition."
photos by Henning Rogge
Schweinebewusstsein
Neues Kunsthaus Ahrenshoop
June 09 - September 02, 2024
in cooperation with the Sprengel Musem Hannover
urated by Inka Schube
Majestätische Vögel der Lebensmittelindustrie
Revue Lagon, Le chemin de terre
Centre Pompidou, Paris
May 29 - August 19, 2024
curated by Séverine Bascouert, Sammy Stein, Jean-Philippe Bretin and Gaspard Laurent
Souris au bec
Musée Tomi Ungerer -
Centre international de L'Illustration in Strasbourg
October 20, 2023 - April 7, 2024
curated by Anna Sailer
music set at the opening by Zad Kokar
photos ©Mathieu Bertola, Musées de la ville de Strasbourg
Ocular Witness – Schweinebewusstsein
Sprengel Museum Hannover
August 23 - November 5, 2023
An exhibition about humans and pigs and ultimately the world
curated by Inka Schube
participating artists: Max Baumann, Frank Berger, Felix Bielmeier, Pierre Bismuth, Anetta Mona Chişa und Lucia Tkáčová, Anna Haifisch, Jochen Lempert, Arne Schmitt, Wenke Seemann, Maria Sewcz, Maria Sturm, Andrzej Steinbach, Young-Hae Chang Heavy Industries and Heidi Specker.
I drew 11 portraits of Anja Koch's prolific pigs, the Fläminger Weideschweine, who are lucky to escape the global meat industry. Each pig is named by Anja and can truly live a lush life of grass and puddles on a small piece of land between Leipzig and Berlin. The excellent portrayed pigs were Aschenputtel, Dropsi, Miliszka, Gretel, Eberhard, Hildegard, Roswitata, Klee, Mohn, Wilma and Kuno.
The Collection of Snavel von Vogel
Museum Folkwang, Essen
July 14, 2023 – open end
curated by Anna Brohm
The comic character The Artist (Snavel von Vogel) presents his pristine collection of rare and obscure books in the reading room of Museum Folkwang.
Homi
Kunsthalle Osnabrück
June 25, 2022 - March 5, 2023
curated by Anna Jehle and Juliane Schickedanz
dog tables built by Andreas Zelle
all photos Lucie Marsmann
Homi
Abendruhe, sanftes Rauschen
Es schwächt mich das Getrudel
Ich würd so gern mein Leben tauschen
ach wär ich eine Nudel
Ich aß ein karges Abendbrot
allein in düstrem Schmerz
Was pocht so laut im Abendrot
Es ist mein armes kleines Herz
Weil ich gar keine Seele seh
wer soll ein Werk hier schaffen
ich lieg in meinem Atelier
besiegt von einem Affen
Diese Stadt ist zugemauert
wie ich hier drin verstaube
Mein Gemüt ist schlimm erschauert
ich wär so gern ne Taube
Chez Schnabel
Museum der bildenden Künste, Leipzig
LVZ Art Prize 2022
March 10 - July 3, 2022
curated by Marcus Hurttig
The Artist -Ode an die Feder
Mom Art Space
during Comicfestival Hamburg
September 30 – October 3, 2021
curated by Simon Klingler
Tiere des Sommers
ASPN Gallery
July 31– August 28, 2021
curated by Arne Linde
Aneta Kajzer, Anna Haifisch, Harry Hachmeister, Heike Geißler, Sophia Süßmilch and Michael Ludwig
Am Ende diese Arbeit
Galerie für Zeitgenössische Kunst, Leipzig
February 8, 2020 - January 31, 2021
curated by Julia Schäfer, Nam Nguyen and Franciska Zólyom.
Till Exit, Ramon Haze, Anna Witt, fabrics interseason, Sarah Morris, Maren Roloff, Andrea Büttner, Céline Condorelli, Dan Peterman, Gitte Villesen, Anna Haifisch
Photos by Alexandra Ivanciu
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Who's that Dog I saw you with?
Bistro 21, Leipzig
Stefanie Leinhos and Anna Haifisch
October 26 - November 12, 2021
Bruit Qui Court
Gallery Nathalie Halgand, Vienna
January 19 – February 24, 2018
Jakob Buchner, Hélène Fauquet, Anna Haifisch, Valentin Just, Katharina Schilling, Astrid Wagner and Kathrin Wojtowicz
(Grüne Hünde, 2018, 18 x 8 cm, Fimo)
Comics
Impuls Rembrandt. Lehrer, Stratege, Bestseller, Museum der bildenden Künste Leipzig, 3.10.2014 - 26.1.2025, poster and comic, 59,4 × 84 cm, September 2024
Majestätische Vögel der Lebensmittelindustrie (6 pages)
Lagon Revue Pluie (Paris), 20 × 28,3 cm, 312 pages, offset printed with 9 colors on different paper, May 2024
edited by Séverine Bascouert, Sammy Stein, Jean-Philippe Bretin and Gaspard Laurent
Art-Rite
Royal Institute of Art, Stockholm
18 cover illustrations, A4, Riso printed, 2022
edited by Natasha Llorens, design and image editing by Martin Groch
The Chess Review (12 pages)
Lagon Revue Plaine (Paris), 15,5 × 21,5 cm, 412 pages, December 2022
edited by Séverine Bascouert, Sammy Stein, Jean-Philippe Bretin and Gaspard Laurent
Das sagt mir was
Weserburg Museum für moderne Kunst, Bremen
20 pages, 21 × 27 cm, booklet, offset printed in 4 spot colors, October 2021
graphic design by Franziska Leiste
portrayed works of art are from the exhibition WIE WIR SIND 3.0
The Artist (9 pages)
Elements published by Jan Van Eyck Academy (Maastricht), 290 pages, 17 × 26 cm, offset printed in 4 spot colors, July 2021
edited and designed by Offshore Studio and Jessica Gysel
with texts and art by Persis Bekkering, Frederik Willem Daem, David Habets, Christoph Miler, Viktor Hachmang, Anna Haifisch, Fabio Barille, Guillaume Simoneau, Marvin Leuvrey, Elena Aya Bundurakis, Grace Ndiritu
S for Strudeling (4 pages)
Glossary of Undisciplined Design, Spector Books (Leipzig), 312 pages, 11 × 17,5 cm, offset printed in 3 spot colors, ISBN 978-3959054461, May 2021
edited by Anja Kaiser and Rebecca Stephany
THE ARTIST x MoMA, Drawn to MoMA (New York), December 2019
A 9 page short story for The Museum of Modern Art. The Artist and Ivan attend a terrible collectors dinner where The Artist gets wrapped up in a stupid lie. He needs to make up for it as fast as possible. Time is running!
The Hall of the Bright Carvings, Kramers Ergot 10, (12 pages)
published by Fantagraphics (Seattle), 164 pages, 28 × 35,8 cm, softcover, ISBN 978-1683960898, July 2019
edited by Sammy Harkham, cover by Lale Westvind
Rick Altergott, Marc Bell, Blutch, Ivan Brunetti, David Collier, Robert Crumb, Kim Deitch, CF, Aisha Franz, Espen Friberg, Anna Haifisch, Simon Hanselmann, Bendik Kaltenborn, Aline Kominsky-Crumb, Patrick Kyle, Jason Murphy, John Pham, Archer Prewitt, Ron Rege Jr., Helge Reumann, Anouk Ricard, Johnny Ryan, Leon Sadler, Dash Shaw, Will Sweeney, Noah Van Sciver, Lale Westvind, Steve Weissman, Sammy Harkham
Fuji-San, published by Kabinett, Heft #41, 16 pages, 13 × 18 cm, booklet, printed in Pantone purple, October 2018
Cover and comic for Le Monde diplomatique, published by Reprodukt (Berlin), 64 pages, 23 × 34 cm, hardcover, ISBN 978-3-95640-166-4, September 2018
edited by Karoline Bofinger
Notable Balts, a book I made with students from the Baltic countries. Goethe Institut Riga, kuš! Comics, 24 pages, 29,7 × 42 cm, riso printed, May 2018
Illustration
Pando, Enis Maci & Pascal Richmann, Suhrkamp Verlag, 206 Seiten, 13 × 21 cm, hardcover, ISBN 978-3-518-43193-1, graphic design by Studio Pandan, Oktober 2024
Membership, Freunde der Kunsthalle Osnabrück e.V., flyer, postcard, membership card, graphic design by Anja Kaiser, September 2024
The Progressive Politicians Who Failed San Francisco, The New York Times Opinion, October 16, 2024
Welches Fahrrad will ich sein?, Zeit Magazin Mann, Oktober 2024
The New Rules of Dept Are Totally Cutthroat, Bloomberg Businessweek, September 3, 2024
Here's Why You Hate Watching TV Right Now, The New York Times Opinion, July 26, 2024
Sometimes, to Make an Electric Car Better, You've Got to Make It a Little Worse, The New York Times Opinion, April 8, 2024
after the interview is over, she keeps going, Frieze (London), Issue 241, poem by Holly Pester, March 2024
Wie die Behörden den verlorenen Coronamilliarden hinterherjagen, Der Spiegel, 14/2024, March 28, 2024
Jetzt in Kryptos investieren?, Die Zeit, March 14, 2024
The Job No One Wants, Bloomberg Businessweek, December 11, 2023
The Goldilocks Economy, Bloomberg Businessweek, November 13, 2023
Speak Up at Thanksgiving. Your Health Depends on It. The New York Times Opinion, November 21, 2023
Kipppunkte, Suhrkamp Theater Magazin, 12 illustrations, printed in 2 spot colors, November 2023
graphic design by Studio Hanli
Tooth City- How a Tiny Mexican Border City Built a Budget Dental Empire, Bloomberg Businessweek, September 4, 2023
Der halbe Hund, Die Zeit, July 20, 2023
Show of Support, The New Yorker, text by Patricia Marx, June 26, 2023
The Retail C.E.O. Pipeline Is Running Dry, The New York Times, February 21, 2023
Christmas card, Villa Aurora and Thomas Mann House (Berlin / Los Angeles) December 2022
Happy Birthday, Sparky!, Tagesspiegel, text and drawing, November 2022
Wer kontrolliert die ARD-Könige?, Die Zeit, September 1, 2022
Schluss mit Lustig, Süddeutsche Zeitung Magazin, July 8, 2022
Burgtheater Magazin (Vienna), #3 Korrekturen, illustrations for plays by Rainald Goetz (Reich des Todes), William Shakespeare (Der Sturm) and Edmond Rostand (Cyrano de Bergerac), March 2022
Ringeltanz mit Moskau, Die Zeit, February 10, 2022
In aller Regel, Süddeutsche Zeitung Magazin, May 28, 2021
Stand Up Straight!, The New Yorker, text by Patricia Marx, March 29, 2021
Das tut mir like, Sueddeutsche Zeitung Magazin, January 15, 2021
El Pais, S MODA, December 2020
Many More Medics, Frieze #214, October 2020
Exzess und Entzug- Ferres vor Gurski - Ferres vor Immendorf, Spector Books, essay by Marcel Beyer, 7 illustrations, 65 pages, 16 × 24 cm, printed in 4 spot colors, April 2020
Diskussionen sind unerwünscht, Die Zeit, December 3, 2020
The Secret Club for Rich Families Who Care About Climate Change, Bloomberg Green, November 2020
Ganz Ohr, Süddeutsche Magazin, September 17, 2020
Dogsplaining, Dogs Magazine, monthly puzzle, October 2019 - August 2020
Mutter Maria Bibo, Sueddeutsche Zeitung Feuilleton, April 21st, 2020
Ich geiler Typ, Die Zeit, October 30, 2019
E-asy Rider, Die Zeit, August 5, 2019
Darf ich mich zu Ihnen setzen?, Die Zeit, July 4, 2019
Sitznachbarn, ein typologisches Bestiarium, Elbphilharmonie Magazin (Hamburg), June 2018
Süddeutsche Zeitung Familie, June 2018
Zeit-Gedanken, enorm Magazin, June 2018
Jetstream, Sueddeutsche Zeitung Magazin, March 16, 2018
Poster / Printmaking
Billbirds, with Anja Kaiser, Museum für Kunst und Gewerbe (Hamburg), 3 screen prints, 3 and 4 colors, 89,5 × 128 cm, edition of 50, printed by Lézard Graphique, June 2024
Netzwerk Zwischennutzung, September 2024
Alles hat seinen Preis / Everything has its price, Folkwang Kunstring (Essen), four 4 color riso prints, 30 × 40 cm, edition of 100, signed and numbered, printed by Colorama, November 2023
The Guardians, Le Raclet, 30 × 40 cm, four 4 color screen prints in a box, edition of 100, signed and numbered, September 2023
New Mexico 1-6, Griffelkunst, four 4 color screen prints, 21 × 27 cm, two 1 color screen prints, 42 × 54 cm, edition of 400, printed by Phillip Janta and Andrea Rausch, October 2023
Have a Nice Day, Palais Mai, 3 color screen print, 21 × 27 cm, edition of 400, printed by Phillip Janta and Andrea Rausch, February 2023
Apero Spatz, 50 years of the Festival Interntional de la Bande Dessinée d'Angouleme, Paris Gare de l'Est , January 2023
Here's the life I've always longed for, Le Raclet, 3 color screen print, 42 × 54,9 cm, September 2022
Stockholm Comicfest, 59,4 × 84,1 cm, May 20-22, 2022
The Artist, Kunstverein Leipzig, scrap ticket for the annual raffle, 3 color screen print, 21 × 26 cm, printed by Phillip Janta and Andrea Rausch, July 2022
Bitte um ein Stück Kuchen, Außenseiten, Haus am Wehrsteg / Sammlung Prinzhorn (Heidelberg), 450 × 630 cm, February 2022, photo ©Philipp Rothe
Ch ch ch changes, Museum der Bildendenden Künste Leipzig, poster and flyer, 59,4 × 42 cm, March 2022
Drifter, Dortmund Kreativ, billboards, November 16-25 / December 7-16, 2021, photos ©Christian Weyers
The Artist, Weserburg Museum für moderne Kunst, four 4-color screen prints, 21 × 27 cm, editon of 60, October 2021, printed by Janta Island and Andrea Rausch
The Artist, Thaler Originalgrafik, four 1-color screen prints for the exhibition Among Us, 59,4 × 84 cm, editon of 30, September 2021, printed by Handsiebdruckerei Berlin
Hünd Couture, Supercollect (Antwerp), 4-color screen print, 50 × 70 cm, November 2021, printed by Superdruk
Scopa, four 4-color Riso prints, 21 × 26 cm, edition of 100, November 2020
The Artist, Galerie für Zeitgenössische Kunst Leipzig, three 3-color screen print for the show Am Ende diese Arbeit, 50 × 70 cm, edition of 50, February 2020, printed by Phillip Janta and Andrea Rausch
Perpetual Calendar, Süddeutsche Zeitung Magazin, 13 pages, 21 × 29,7 cm, 3-color Riso prints, coil bound, June 2020, printed by Drucken3000
Still Life 1-3, three 3-color Riso prints, 21 × 25 cm, edtion of 100, April 2020, printed in Berlin by Colorama
It's Alright 1-4, four 4-colors screen prints, 21 × 27 cm, edtion of 50, March 2020
Comic Reading, Zine Not Dead / Short Run (Seattle), November 2018
Poster, Short Run (Seattle), 3-color screen print on yellow paper, 33 × 50 cm, November 2018
Atombombi, The Millionaires Club, 3-color screen print, 42 × 59,4 cm, edition of 50, March 2018
The Artist - I'm sorry, Mama, Spinnerei Leipzig, billboard, March 2018
Carotte Triste, three 3-color screen prints, 19 × 27,7 cm, edition of 30, December 2017
The Artist - Songs to the Feather, four 3-color screen prints, 19 × 25 cm, edition of 30, December 2017
Von Spatz, Desert Island (Brooklyn), Poster, April 2017
The Smudge, Vol 1 Issue 3, Tan n Loose Press, Chicago, March 2017
The Artist, Gosh Comics (London) / Breakdown Press, poster, November 2017
The Artist, Safari Festival (London) / Breakdown Press, postcard, August 2016
Chin Tiki, Kayrock Fresh Prints, 4-color screen print, 46 × 61 cm, edition of 100, 2016
YOU, four 3-color screen prints, 21 × 26 cm, edition of 30, 2015
Oh oh, four 4-color screen prints, 20 × 26 cm, edition of 30, 2015
Kalifornien, four 4-color screen prints, 26 × 20 cm, edition of 30, 2014
The Artist 1-4, four 3-color screen prints, 20 × 26 cm, edition of 30, 2014
Textiles / Objects
Maus für Kunst und Gewerbe, Museum für Kunst und Gewerbe (Hamburg), tote bags, screen printed, June 2024
Friedrichs Hünde, Königliche Porzellan-Manufaktur (Berlin) KPM, LAB Bowl edition, in collaboration with Sueddeutsche Zeitung Magazin, 2 porcelain bowls, 14,1 × 8 cm, October 2023
Alcmène, Thisbe, Phillis, Arsinoe, Biche and Superbe were Frederick the Great's favorite dogs and adorn the elegant porridge bowls from the LAB series of the Königliche Porzellan-Manufaktur Berlin. Frederick adored his wind chimes for their sensitive and affectionate character and instructed that his animals at Sanssouci Palace be addressed in French. He loved the shivering liveliness of his dogs, who were his closest friends and girlfriends, whose deaths he mourned and who are buried next to their master. Superbe († 1763) sat on Frederick's deathbed and when the weak king saw that his dog was shivering with cold, he whispered: “Warm Superbe with pillows.” His last words.
Casper David Dog, cover artwork and tea towel for Shiva & The Destroyer, released by Planet akwa, 50 × 70 cm, screen printed on cotton, October 2023
Scarfs, Kunsthalle Osnabrück, 1st, 2nd and 3rd edition, acrylic wool, December 2022 - January 2023
dog photo ©Daniel Richter, photos 2,3 & 4 ©Kunsthalle Osnabrück
Riviera, Misma Editions (Toulouse), tote bag, screen printed, cotton, September 2021
Artist in Residence, released with the book Residenz Fahrenbühl, Spector Books (Leipzig), sweater, embroidery, March 2021
Mouse Model: Hannes Drißner
The Artist, limited art edition, blanket, organic cotton, 2 color jacquard knitting, 185 × 150 cm, October 2020
Hünd Matisse, limited art edition, sweater, embroidery, October 2019
Collected Cassettes V0L1, Lassie, cover artwork, layout by Fuzzgun (Marian Bodenstein), September 2019
Home Alone, Riso Club (Leipzig), cover artwork and label, Cassette, 3 color riso print, January 2019